DETROIT review
DETROIT
starring John Boyega, Will Poulter and Algee Smith
directed by Kathryn Bigelow
A review by Helen J. Reynolds
Detroit is not an entertaining movie. You won't laugh and cry, then, after all the ups and downs, leave feeling satisfied by the end. It isn't even a movie that will transport you back in time to the racial tensions during the 1967's uprising in Detroit. Instead, there's the uncomfortable feeling that you're simply watching the news. This did happen and is happening in America. Walter Scott (2015), Philando Castile (2016), Jordan Edwards (2017)... all unarmed, black victims killed by police with no accountability, no justice.
Like Kathryn Bigelow's previous works (Zero Dark Thirty, The Hurt Locker), this isn't a movie to sit back, switch off and escape into a movie-world. She puts you right there, into the violence, into the chaos and there's nothing off-hand in how she crafts the story. Many movies nowadays skim over shootings; just showing you the bang and the blood, but Bigelow closes in on it. She follows the violence to its end and makes every death felt and counted.
It isn't a perfect film. There are many characters that you want to have more backstory on, which the fast pace just doesn't allow for. Things have to move quickly so the night at the Algiers Motel (where three African American men were murdered) can be drawn out to its fullest. The court case that follows is only passed over briefly, perhaps to save the audience further outrage. Though actually how the investigation and subsequent court case was handled could have been a film all on its own. The recent Inside Story: The People v. OJ Simpson (2016) proves the power of closely following the justice system to show systemic corruption and how race is played out among jurors.
Will Poulter plays the antagonist in racist cop, Krauss. It's a brave role to take on, given his relationship to family friendly movies and comedies. He's easy to dislike as well as understand; his desire for control, power, and simplistic way of wanting to 'wrap things up' is repulsive, but certainly realistic for many of those in authority who really shouldn't be.
Larry (Algee Smith) is the main star of Detroit - despite misleading trailers showcasing Star Wars star John Boyega (he does have a significant role in the film, but it's a supporting one). Larry's character has a full arc and while you feel attached to all the characters, his transformation gives the film its necessary message. Cocky with his talent and hungry for the big stage, he's reduced to singing for his life. The trauma of the night changes him deeply and it's impossible not to feel that.
Without doubt, this movie will make you feel.
A combination of:
13th (2016)
Dreamgirls (2006)
Schindler's List (1993)
starring John Boyega, Will Poulter and Algee Smith
directed by Kathryn Bigelow
A review by Helen J. Reynolds
Detroit is not an entertaining movie. You won't laugh and cry, then, after all the ups and downs, leave feeling satisfied by the end. It isn't even a movie that will transport you back in time to the racial tensions during the 1967's uprising in Detroit. Instead, there's the uncomfortable feeling that you're simply watching the news. This did happen and is happening in America. Walter Scott (2015), Philando Castile (2016), Jordan Edwards (2017)... all unarmed, black victims killed by police with no accountability, no justice.
Like Kathryn Bigelow's previous works (Zero Dark Thirty, The Hurt Locker), this isn't a movie to sit back, switch off and escape into a movie-world. She puts you right there, into the violence, into the chaos and there's nothing off-hand in how she crafts the story. Many movies nowadays skim over shootings; just showing you the bang and the blood, but Bigelow closes in on it. She follows the violence to its end and makes every death felt and counted.
It isn't a perfect film. There are many characters that you want to have more backstory on, which the fast pace just doesn't allow for. Things have to move quickly so the night at the Algiers Motel (where three African American men were murdered) can be drawn out to its fullest. The court case that follows is only passed over briefly, perhaps to save the audience further outrage. Though actually how the investigation and subsequent court case was handled could have been a film all on its own. The recent Inside Story: The People v. OJ Simpson (2016) proves the power of closely following the justice system to show systemic corruption and how race is played out among jurors.
Will Poulter plays the antagonist in racist cop, Krauss. It's a brave role to take on, given his relationship to family friendly movies and comedies. He's easy to dislike as well as understand; his desire for control, power, and simplistic way of wanting to 'wrap things up' is repulsive, but certainly realistic for many of those in authority who really shouldn't be.
Larry (Algee Smith) is the main star of Detroit - despite misleading trailers showcasing Star Wars star John Boyega (he does have a significant role in the film, but it's a supporting one). Larry's character has a full arc and while you feel attached to all the characters, his transformation gives the film its necessary message. Cocky with his talent and hungry for the big stage, he's reduced to singing for his life. The trauma of the night changes him deeply and it's impossible not to feel that.
Without doubt, this movie will make you feel.
A combination of:
13th (2016)
Dreamgirls (2006)
Schindler's List (1993)


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